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FANTASTIC MAN
A Decade of Spectacular Masculinity


THE OFFICES OF FANTASTIC MAN —

AMSTERDAM
Recht Boomssloot 7
1011 CR Amsterdam
The Netherlands
Phone +31 20 320 9032
Fax +31 8 4224 8511

LONDON
1 Tavistock Chambers
40 Bloomsbury Way
London WC1A 2SE
United Kingdom
Phone +44 207 242 8802

office@fantasticman.com
www.fantasticman.com


SOCIABLE —
To stay in touch with Fantastic Man, readers are also invited to engage with its lively FACEBOOK and TWITTER pages.


SUBSCRIBE —
Subscriptions are available worldwide. A one year subscription of two issues will be €22 for Europe, $35 for the USA and $33 for the rest of the world (airmail). Please visit our subscription service BRUIL & VAN DE STAAIJ to get your subscription online, or compose an e-mail to info@bruil.info for more information. For subscriptions in the USA, please visit EXPRESSMAG immediately.


BACK ISSUES —
Past issues of Fantastic Man may be purchased conveniently using the most futuristic of all platforms, the internet. As well as the most recent issue for Autumn & Winter (No. 20), certain back issues remain available in limited quantities. Issues No. 19, No. 17, No. 13, No. 12 and No. 9 are currently available to order from Bruil & van de Staaij and can be delivered worldwide.


The designer JONATHAN ANDERSON and his brave new fashions.
Photographed by David Sims, issue no. 21
DAVID WALLIAMS —
“She didn’nt know I was on TV.”
Photographed by Alasdair McLellan, issue no. 12
— ALBERT REED, LOGAN MACRAE and JORDAN STENMARK in Palm Springs, photographed by Daniel Riera, issue no. 15
CHRISTOPH WALTZ —
“I can’t run about every day thinking that I have two Oscars.”
Photographed by Alasdair McLellan, issue no. 20
JEREMY DELLER —
“I’ve been interested in prehistory since I was a kid.”
Photographed by Alasdair McLellan, issue no. 17
XAVIER DOLAN —
“I start on a subject and start yakking and never finish.”
Photographed by Benjamin Alexander Huseby, issue no. 20
OLIVER SIM —
“Not lonely, just a bit confused.”
Photographed by Willy Vanderperre, issue no. 16
— KARL KOLBITZ photographed by Liz Collins, issue no. 20
— JAMES WELLS photographed by Benjamin Alexander Huseby in Maspalomas, issue no. 11
HELMUT LANG —
“I’m perfectly happy.”
Photographed by Bruce Weber, issue no. 4
TOBIAS MEYER —
“I can’t judge. I’m an auctioneer. I can only accept. I have to suspend judgement.”
Photographed by Terry Richardson, issue no. 7
AMANDA LEAR —
“My ambition is to pay the rent and to paint and sing and act.
And to sometimes be able to walk into the PRADA store and buy myself a nice new handbag.”
Photographed by Todd Cole, issue no. 2
LORD SNOWDON —
“I very much believe in privacy.”
Photographed by Alasdair McLellan, issue no. 19
RAF SIMONS —
“I want new, new, new, new, new.”
Photographed by Willy Vanderperre, issue no. 14
— JAMES WELLS in The 11th Look, photographed by Andreas Larsson, issue no. 14
EWAN McGREGOR —
“I don’t understand the idea of just delivering lines. I find it boring.”
Photographed by Alasdair McLellan, issue no. 10
— MATTHEW MONEYPENNY wearing city suits, photographed by Daniel Riera in New York City, issue no. 10
— ADAM KIMMEL: “We’ll see how it goes.”
Photographed by Alexei Hay, issue no. 6
OKWUI ENWEZOR —
“When I look at a picture of myself at 17 it seems that I’ve worn the same type of clothes ever since.”
Photographed by Terry Richardson, issue no. 8
PETER SAVILLE —
Photographed by Blommers & Schumm, issue no. 3
Dr. BRANDT —
“I don’t like to look like everyone else. You can see that right?”
Photographed by Andreas Larsson, issue no. 9
REM KOOLHAAS —
“It’s essential to have mystical experiences. I have them all the time.”
Photographed by Wolfgang Tillmans, issue no. 6
LUCAS OSSENDRIJVER —
“The style is quietly quirky, softly washed, casually elegant.”
Photographed by Daniel Riera, issue no. 5
— CHRIS BEEK and MORGAN WATKINS playing chess
Photographed by Robi Rodriguez, issue no. 16
SPARKS —
“We are inspired by the mediocrity of everything else in pop music.”
Photographed by Andreas Larsson, issue no. 2
TOM BACHTELL —
“I often feel like I’m learning to draw again from scratch every day.”
Self-portrait, issue no. 18
FRANCESCO VEZZOLI —
“To think about what’s going to happen after you’re dead is nonsense.”
Photographed by Matthias Vriens, issue no. 8
PETER YORK —
“I can’t bear those fake elbow pads that seem to be on everything these days. You should only mend things when they need it.”
Photographed by Andreas Larsson, issue no. 18
LESBIAN LOOKS —
Photographed by Andreas Larsson, issue no. 8
STEFANO PILATI —
“You can work out your obsessions in your work. That’s what I’m doing.”
Photographed by Inez van Lamsweerde & Vinoodh Matadin, issue no. 3
— STEPHEN GALLOWAY photographed in Berlin by Paul Wetherell, issue no. 13
THOM BROWNE —
“I think it’s so chic to get smashed and end up on the floor in your three-piece suit.”
Photographed by Marcelo Krasilcic, issue no. 1
HAMISH BOWLES —
“The fashion writer Caroline Kellett and I were wearing the same Chanel jacket.”
Photographed by Juergen Teller, issue no. 10
— ADRIAN BOSCH doing some spring cleaning, photographed by Andrea Spotorno, issue no. 17
WOLFGANG TILLMANS —
“You know, I see myself as gentle.”
Photographed by Alasdair McLellan, issue no. 11
ALEXIS TAYLOR —
“They thought it was a girl singing.”
Photographed by Paul Wetherell, issue no. 11
MATTHEW SLOTOVER —
“The NME was my bible. I still have every issue from 1982 to 1989.”
Photographed by Alasdair McLellan, issue no. 15
GILES DEACON —
“I’ve been wearing glasses since I was about five.”
Photographed by Viviane Sassen, issue no. 2
— NATE SUN photographed in Beijing by Daiel Riera, issue no. 14
AI WEIWEI —
“Yeah, I’m anti-China. What’s the big deal?”
Photographed by Ai Weiwei, issue no. 12
BRET EASTON ELLIS —
“My mother sends me all these links. So that’s really how I keep up.”
Photographed by Jeff Burton, issue no. 9
WIM CROUWEL —
“Design was so interesting and full of spirit in 1928, the year of my birth.”
Photographed by Viviane Sassen in the Rietveld Schröder House in Utrecht, issue no. 3
BRYAN FERRY —
“Yes, it’s about being fabulous.”
Photographed by Juergen Teller, issue no. 12
— FENN SEAN opening The Super Show, photographed by Jonathan de Villiers, issue no. 12
ROMAN COPPOLA —
“You hit the end and a ball of smoke would fly out.”
Photographed by Todd Cole, issue no. 16
JEFF WALL —
“It’s a balancing act.”
Photographed by Blommers & Schumm, issue no. 19
THE DANCER —
Ander Zabala, Photographed by Heinz Peter Knes, issue no. 1
JONATHAN SAUNDERS —
“What I love about menswear is the subtlety and detail.”
Photographed by Benjamin Alexander Huseby, issue no. 16
STEVE McQUEEN —
“When you’re filiming something, it’s like feeling your way through a house in the dark.”
Photographed by Viviane Sassen, issue no. 6
TIM BLANKS —
“Some people wanted a Mercedes or a Rolex when they were growing up and I was, and am, perfectly happy with a loud shirt.”
Photographed by Roger Deckker, issue no. 15
— DANIEL and DOMINIC KING walking on Benidorm beach, photographed by Andreas Larsson, issue no. 15
ANDRÉ BALAZS —
“In my childhood I wanted to be a sculptor. Part of the attraction was the ability to create something out of nothing, but one of the things I found frustrating was working in a vocabularly that very, very few people understood.”
Photographed by Terry Richardson, issue no. 5
PIERRE CARDIN —
“I’m not much of a womaniser, as you’d probably gathered, even though I do own Giacomo Casanova’s Venetian palazzo.”
Photographed by Paul Wetherell, issue no. 9
DIEDERIK VERMEER — photographed by Viviane Sassen in Cape Town, issue no. 3
— HAIDER ACKERMANN photographed in Paris by Willy Vanderperre, issue no. 13
— ROBERTO BOLLE: “I always liked the idea of having superpowers”, photographed by Andreas Larsson, issue no. 17
DAVID BECKHAM —
“I’m just lucky”
Photographed by Alasdair McLellan, issue no. 13
— GIBRIL GEORGE wearing a summer suit, photographed by Viviane Sassen in issue no. 9
TOM FORD —
“Paris is not a priority for us. Parisian men don’t know how to dress. ”
Photographed by Jeff Burton, issue no. 7
DAVID COPPERFIELD —
“I had some bad clothing choices... what can I say.”
Photographed by Roger Deckker, issue no. 14
AIDEN SHAW —
is perfectly boring
Photographed by Daniel Riera, issue no. 9




TEN YEARS IN PRINT —
      Remarkable but true: Fantastic Man has provided a whole decade of entertainment and excitement in magazine form. Throughout its anniversary year and beyond, the original style journal for men will continue to redefine the genre.

21
starring on the cover JONATHAN ANDERSON

Spring and Summer 2015
338 pages

The spectacled fashion designer and former horseback champ GILES DEACON graces the cover of the second-ever issue of Fantastic Man. Who else is in the issue? Indeed, the interior design star JONATHAN ADLER, various older male models, the inimitable Italian gentleman CARLO ANTONELLI, and mademoiselle AMANDA LEAR in the latest men’s fashions as styled by KIM JONES and photographed by ANDREAS LARSSON. Fans of the following people might also want to try to lay their hands on this impressive issue of Fantastic Man, given that each one of them makes an appearance on its pages: the artist CERITH WYN EVANS, the actor ADAM DUGAS, the model BRAD FISHER, the brothers RON and RUSSELL MAEL of the pop group SPARKS, the actor JEROEN WILLEMS and the mysterious menswear designer ADAM KIMMEL. It’s a wonderful issue!

21
starring on the cover JONATHAN ANDERSON

Spring and Summer 2015
338 pages

The first of two issues celebrating Fantastic Man’s tenth anniversary year looks excitedly to the future, with a bold new design direction, plenty of colour and a focus on the fantastic men of tomorrow. Who better to star on its cover, then, than JONATHAN ANDERSON, the creator of the most adventurous clothing in the fashion firmament and the possessor of a totally modern business brain? JONATHAN became known for his own label J.W.ANDERSON and is now hitting his stride as creative director of LOEWE. He won’t rest until everyone knows how to pronounce that brand’s name.

Also interviewed are the splendidly-named entrepreneur MATTHEW MONEYPENNY, the astounding artist MARK LECKEY, the promising actor ALFRED ENOCH, and the energising SoulCycle disciple MARVIN FOSTER Jr. The future of masculinity is explored in an unprecedented photo series by ALASDAIR McLELLAN; the wardrobe of the future is unveiled by designers, among them KIM JONES of LOUIS VUITTON, who kindly reinvent a menswear staple especially for Fantastic Man; and an excursion to rural Italy reveals the tailors of tomorrow. A new section, bearing the title of Man Chat, gets to grips with the pressing topics de nos jours, which include rabbinical matchmaking and domesticated hens. It’s all such a breath of fresh air.





SUGGESTED FURTHER READING —
More marvellousness on paper from the makers of Fantastic Man

Pictured below is a delectable spread of enlightening printed matter from the same stable as Fantastic Man. From left to right: THE GENTLEWOMAN is our cherished sister publication, of course. Produced from the heart of fashionable London, it carries exquisite style suggestions as well as conversation and writing contributed by the world’s most amazing women. That vision in pink is FOREVER BUTT, the new hard-backed compendium for TASCHEN of the best and baddest bits of BUTT, our celebrated magazine for homosexuals. COS magazine is a chic cultural biannual produced for the retailer of the same name, featuring insightful interviews with luminaries from the worlds of art, design and technology. Next: two collaborations with the book publisher PENGUIN. From 2013, BUTTONED-UP is a book exploring the fashions of East London. THE HAPPY READER is a bookish quarterly devoted to the pleasures of devouring the written word. The second issue is out now.






SOME FILMS —
Moving images from the makers of Fantastic Man

Sometimes, the foxiest fashions are best appreciated in motion. Seen above, 2010’s SUPER SHOW is a spectacular menswear catwalk extravaganza staged in a secret location in front of an audience of zero. For SPINS, which won the prize for Best Artistic Direction at the A SHADED VIEW OF FASHION FILM festival, professional men of the ice rink perform incredible athletic manoeuvres in slow-motion, dressed, of course, in the latest skin-tight styles. ROTATION is a dazzling compendium of startling modern dance to herald the arrival of DIOR HOMME’s Autumn & Winter 2013 collection. Please enjoy them all.

THE DAILY RECOMMENDATIONS —
      Fantastic Man has dispensed approximately 1,500 ingenious and instructive online Daily Recommendations since 2009. Please scroll down the page to enjoy a random assortment of helpful good advice.

— Defence

Originally published Wednesday, the 20th of March, 2013

In the event March refuses go out like a lamb, today’s tip is a trio of umbrellas by SWAINE ADENEY BRIGG, the London-based firm who have been constructing the protective accessory since the 18th century.

(Photography by Devin Blair. Styling by Julian Ganio.)

Camo Week
— Camouflage 2

Originally published Tuesday, the 10th of May, 2011

While camouflage prints normally tend to get their decoration from the world of plants, today’s camo suggestions were inspired by the animal kingdom. The jacket by SUPREME (from THE HIDEOUT) sports a zebra stripe, and the trousers by LANVIN feature a camo decoration that started with a scan of a python skin that was first distorted and pixellated and then digitally printed onto the fabric. Nice! The camo trainers by POINTER x COMME DES GARÇONS, available at END CLOTHING, finish off an incredibly modern jungle look.

(Photography: Daniel Riera. Styling: Jodie Barnes. Styling Assistance: Joe Porritt and Philip Smith. Grooming: Maria Martinez at Kasteel+Agent for Bobby Brown and Kiehl’s. Model: Josep Xortó)

Tasty Leftover Tips
— Wine Jelly

Originally published Thursday, the 31st of July, 2014

Odd as it may sound to the more enthusiastic drinkers among us, there are occasions when one has LEFTOVER WINE. An alternative to drinking it is to make jelly. White, red, port, dessert or the monstrosity that is alcohol-free – any kind of wine is suitable for the following recipe:

- 3 gelatine leaves soaked in cold water
- 300 ml wine
- 150 ml water
- 110 g caster sugar
- 1 vanilla pod (optional)

Combine wine, water, sugar and the vanilla pod in a small saucepan. Heat on a moderate setting until the sugar melts. If you want the jelly to retain some alcohol content then be sure to take it off the heat before boiling starts. Squeeze out any excess water from the gelatine and stir it in.

All you have to do now is to pour it into a container of your choice. It can be served in a glass to be eaten as a dessert, or in a jar to be served with a cheese platter… the possibilities are endless!

(By Magnus Åkesson.)

Foot Week
— A Spectacular Sock

Originally published Monday, the 17th of February, 2014

This week of Daily Recommendations is an ode to that most versatile of body parts, the foot. Really, is there another piece of the human physique that can be dressed in so many ways? It’s amazing! Take, here, this spectacular sock, knitted by the Danish designer (and all-round sock maverick) Mr. HENRIK VIBSKOV. Its material composition is as follows: 60 per cent cotton, 38 per cent nylon, two per cent elastane.

(Photography and styling by Jean-François Adjabahoué.)

— Single-purpose Calendar

Originally published Friday, the 10th of February, 2012

With seemingly everyone scribbling appointments into MOLESKINE diaries or typing reminders into iPhones, who uses a wall calendar? The charm of this particular calendar, designed by MASSIMO VIGNELLI for the furniture company STENDIG in 1966, is that it isn’t meant to organise your life, but simply tells the date. Not to mention it’s brutally pretty and happens to be the only calendar in the New York MoMA’s collection. The STENDIG CALENDAR is printed black on white on 60lbs offset paper stock, except for the random page that is reverse printed, as the month of February is in the photo above. The week starts as it does in Europe, on Monday, instead of Sunday, as is convention in America. Astute graphic designers may see similarity to the design of the New York City subway signage and AMERICAN AIRLINES livery. Both were designed by VIGNELLI ASSOCIATES, the New York-based firm where VIGNELLI and his wife LELLA still work.

(Photography: John Verde.)